David versus Goliath
Rumble!
by Yasir Senna
Razor Sharp Productions at the Drayton Arms Theatre, South Kensington until 4th December
Review by Heather Moulson
Now, I have become very familiar with bijou pub theatres, but this venue really is a delight. On a deceptively large stage for its intimate surroundings, Rumble!, written and directed by Yasir Senna, opens up to what could be misconstrued as a dry, corporate piece. However, this is soon thoroughly disproved.
Set in 2009, at a construction firm called Deveraux, Alisha faces the boardroom, and three very hostile directors, after being overshadowed by her boorish manager. The atmosphere is one of doom for Alisha, with written warnings and poor reports, until with concise wit and cunning, she reveals a clever unbricking of a corporate wall.
Read more…Panto Takes Wing
Mother Swan
by Tom Whalley, adapted by Andy Hale
Barnes Community Players at Kitson Hall, Barnes until 4th December
Review by Heather Moulson
A cold winter’s night is rife for a warm welcome at a pantomime, (oh no, it isn’t!), and the introductory humorous couplets between good and evil did just that. The boldly-robed evil Priti Snyde and good-hearted, ultra-pink Fair-Enough-Ski involved us in participation as soon as the curtain went up. Their rapport was tangible and played with traditional gusto by Annie Collenette and Roger Hayward-Smith.
The curtain went up on Mother Swan to the strong coloured set of Barnesville, before which we were presented with its witty script. The tongue-in-cheek delivery by the eponymous Mother Swan and her son Silly Billy set the plot.
Read more…Complex Beats of Modern-Day Romance
To Have and to Hold
by Michelle Payne
Savi Creative Arts at Barons Court Theatre until 27th November
Part of The Savi Emerging Arts Festival
Review by Denis Valentine
To Have and To Hold , as part of Savi Creative Arts’ Emerging Arts Festival, is a cleverly crafted work-in-progress piece that, at its core, is about exploring issues and occurrences in modern life and it’s dating world. As a two hander and by its use of multi-role casting, it offers a chance to see events and thoughts from multiple different perspectives and how consequences for actions can have repercussions both positive and negative that change over time.
The play, in terms of themes, explores modern relationships from a variety of different angles. It achieves quite a journey by having its two actors, Iwona Marciniak and John Skerritt, playing not only multiple characters but also the same characters at different stages in their lives. At times there are very recognisable beats of modern-day dating and the problems of living in a pandemic, but the play also touches on more adolescent and coming of sexual age issues that could be straight from modern popular shows such as Sex Education.
Read more…Eels by the Pint
Vendetta
By David Anstruther
CD Digipak, Eel Pie Records, Twickenham
Review by Vince Francis
Vendetta is the latest album (and the first of his own original material) of singer-songwriter David Anstruther, who hails from south-west London and is hence a local lad to yours truly. I generally experience a combination of excitement and anxiety when I get to hear artists who are new to me, but generally I have a genuine respect and admiration for those who have the bravery to put their original work out there, regardless of my own take on it.
There is much to recommend David’s music. He is an accomplished guitarist. To my ear, the influence of Mark Knopfler is apparent, particularly when he isn’t using distortion. No shame in that, in my view. Knopfler is an outstanding player and one who is inspirational to many guitarists, including your reviewer.
Read more…Tearaway Strip Tease
The Beano: The Art of Breaking the Rules
curated by Andy Holden
Embankment Gallery, Somerset House, London until 6th March 2022
Review by Heather Moulson
Biff! Bang! Whizzz! Ouff! Ouch! Curator Andy Holden had been planning this exhibition since March 2020 when the lights were switched off by Lockdown. Proving that patience and careful planning really does pay off, he lays this infamous comic treasure trove bare before us.
I was greeted by Biffo the Bear at the ticket office, the character I mourn the most, along with his extraordinarily strange chum Buster. Once having the status of Desperate Dan, he stopped appearing in strip form in 1986. Biffo was wholesome and neat in his red shorts, which could have been his downfall, yet he kept up his end with his maverick counterparts for many years.
Read more…How Green is My Plot?
The Good Life
by Jeremy Sams, based on the television series by John Esmonde and Bob Larbey
Fiery Angel at Richmond Theatre until 29th November, then tour continues until 4th December
Review by David Stephens
Working from home, learning new life-skills, growing one’s own produce, living more sustainably, escaping the monotony of the daily grind and discovering the joys of simple living instead. In recent years, these one-time dreams and ambitions of the few have become a normal way of life for the many. Well, for a spell at least. Recent global events, including Covid-19 and concerns over rapid climate change, have forced the global community into positive and, it is hoped, lasting changes, in an attempt to improve the health of the planet and the physical and mental health of her inhabitants. With this dawning social conscience, some have opted to change their diets, choosing to eat more plant-based products and, to further reduce CO2 emissions, have started growing their own vegetables, resulting in greater demand for allotments or homes with larger gardens. Others have ditched their gas boilers and opted for those fuelled by sustainable sources, while some have upgraded to electric cars, and many have ditched their vehicles altogether, opting for greener travel instead. To support their employees, and to reduce their own carbon footprint, many employers now allow their staff to work from home, encouraging a better work-life balance. Whatever the change, our lives have all been impacted in some way and, for many, this has ignited the desire to take further steps towards a self-sufficient, sustainable and more holistic existence. It could be argued, therefore, that the draw to that lifestyle is felt more widely than ever before and, thanks to technological advancement and a positive shift in corporate thinking, has never been more attainable. But how many would be prepared to give it all up for a life of total self-sufficiency?
Read more…Never Mind the Rugby
We Gather: Poets on the Move
Poetry Performance, promenade at Richmond, 20th November
Part of the BE Richmond We Gather Programme
Review by Greg Freeman
To be fair, the rugby fans didn’t turn a hair when they encountered a group of poets beside the River Thames in Richmond while they were heading from the pub to nearby Twickenham. On the other hand, they didn’t break their stride. The poets, including myself, were from Poetry Performance in Teddington, a regular open-mic night which has run on Zoom during lockdown – and still does – but has now ventured back to its old stamping ground, upstairs at the Adelaide pub, as well.
We only not clashed with the England v South Africa match, but with the closing events of Richmond literature festival. Our walk around local landmarks was not on the festival bill, not even on its outer fringe. Perhaps it should have been?
No matter. The walk started outside Richmond Theatre, where a few poems were read, crossed the town’s expansive green, surrounded by historic and attractive houses, before stopping by a gatehouse which is all that remains of Richmond Palace, torn down brick by brick after the execution of Charles I. More poems were read, packed with interesting details about the old palace – the great fire, and the fact that Henry VII and Elizabeth I both slept and died there – with pauses while descending planes trundled over our heads.
Read more…Salon Culture
Rose Opera in Recital
Rose Opera, at the 1901 Arts Club, Waterloo, 17th November
Review by Mark Aspen
Here is salon culture in style, the intimate soirée, sans salonnières. Strip away that formality and conversazione and enter the charming 1901 Arts Club, the bijoux bolt-hole known only to aficionados of chamber music, tucked away near the hustle and bustle of Waterloo Station. Think a miniature version of a Pall-Mall club, but where you don’t need to wear a necktie. All is chintzy or bee-waxed antique furniture, comfy in a whisky-and-cigars sort of way.
Originally the headmaster’s house for the church school associated with the nearby St John’s, Waterloo (a magnificent Greek Revival church; think the Acropolis with a steeple), it was bought in 2007 by the philanthropist, Joji Hattori, to be used as a space for chamber music that had the intimate ambience of a private residence. Tonight we are welcomed by the genial Glenn Kesby on behalf of the venue, who invites us to stay afterwards for the aforementioned whisky; and then by Rose Opera trustee, Professor Alethea Tabor, who introduces the evening.
The programme comprises three sets of Lieder by Mahler, Richard Strauss and Rachmaninov, parenthesised by two pieces by the contemporary English composer, James Francis Brown, who is with us, an honoured guest in the audience.
Read more…Darts in the Ski Lodge
The Valkyrie
by Richard Wagner, libretto translated by John Deathridge
ENO with the Metropolitan Opera, New York, at the Coliseum, until 10 December
Review by Matthew Grierson
Richard Jones’s new staging of Wagner’s Ring Cycle begins with a small fire downstage that, given safety concerns about the venerable Coliseum, is the largest conflagration we’re allowed. It’s a slow-burner, and in that respect rather like the opening encounter between separated siblings Siegmund and Sieglinde (Nicky Spence and Emma Bell). The burgeoning relationship could be human and affecting, easing us into the tetralogy after the pandemic rather than blasting us with the bombast that, as a Wagner novice, I’d anticipated. But instead the first act tends to be slow and, peculiarly, quiet.
The tone is also at odds with the sturdy, outdoor aesthetic of our ill-fated protagonists, with their sensible boots, jeans and tees, and the woodshop vibe of Sieglinde and Hunding’s marital home. I say ‘woodshop’, and in fact a huge ash tree grows in the middle of the self-assembly hut and right through the exposed rafters. It’s one way to juxtapose the domestic and mythic aspects of the opera, I suppose; but if this is a show home then I’m not buying.
Read more…Check the Gate
Stones in His Pockets
by Marie Jones
Teddington Theatre Club at Hampton Hill Theatre until 20th November
Review by Andrew Lawston
Hollywood has come to Hampton Hill Theatre courtesy of Teddington Theatre Club, as two extras muddle through the filming of a costume drama in County Kerry, Ireland. Over the course of two hugely enjoyable acts, Stones in his Pockets by Marie Jones deflates every romantic notion you may ever have had about film-making, painfully plausibly.
Given that the setting is a film with a cast of hundreds, it’s appropriate that this play has a cast of two, playing dozens. Brendan Leddy plays Charlie, a video shop manager driven out of business by a corporate competitor, who has packed a tent and left his home to “do Ireland”, washing up on the film set apparently by chance. Ian Kinane plays Jake, a local man with a restless soul.
Both Jake and Charlie are played to perfection, two laddish men in their 30s who drink and exchange banter and ogle the actresses. When we first meet them, Charlie is trying to wangle an extra portion of lemon meringue pie from the catering truck, and this seems to be his main goal in life. They both begin the play apparently carefree, but it becomes evident that both are deeply dissatisfied with their aimless lives.
Read more…
Mark Aspen 