English National Opera Mini-Opera
Amores by Keith Wait
From The Sweeper of Dreams.
[Characters: A young child, Ion; the Lovers, Corinna and Tristan.]
ION:
In the beginning, I wanted life
But my world was without form, and void.
I longed for mountains and for oceans
For angels and owls, not kingdoms and castles.
———————————————————————————–
TRISTAN:
We have moved in a different world
Along the very brink of time
CORINNA:
I feel, you know, that love and death are very close.
LOVERS:
At the top of the pendulum’s swing
Where everything begins and ends
We lay in Xanadu floating on a dream.
CORINNA:
Take me now to oblivion where
Our years that have passed, our centuries yet to come
All stop and concentrate upon this moment.
TRISTAN:
The garden stands on the perfumed clifftop
The acrid waves are pounding underneath
Their salty tears may splash and reach
And open up a breach
In time.
CORINNA:
Hold time.
For now we melt as one.
At our twilight moon in silent passion
The world waits.
And all our love and all our spirit
Stand in abeyance for eternity.
———————————————————————————–
———————————————————————————–
ION:
In the middle there was not time
Be fruitful and multiply, and fill the waters
There are sages who are not butterflies
A life I never wore, a day to which I never woke.
———————————————————————————–
LOVERS:
We lovers would so gently slip away
If urgent beauty eased its plunging stress
And let us fade together with the day
Into that silent world of gentleness.
Then drowsy mists would each warm limb caress
And mingle our two perfumes into one
As pulsing bodies sink on tenderness
If all the night could be for us alone.
CORINNA:
That dawn would come more golden than the sun,
Whose kiss the blue and blushful haze of night
Returns with pink looks and shyly runs;
TRISTAN:
My arms would hold such beauty fresh in sight
Arising like the rainbow’s hopeful dove
To touch my heart and ever seal our love.
———————————————————————————–
———————————————————————————–
ION:
In the ending, life is forfeit.
The leaves of the tree are for the healing.
The Sweeper talks about the weather
In the wreckage of their dreams.
LOVERS:
Drops of moisture feel their careful way
Across the misted window of our world,
Mirror broken with a cracked and crazy web
Echoes the silence that we should have shared.
TRISTAN:
Moist and hard our mouths were pushed together
Tongue against tongue in long and secret longing
Probing deep the secrets of your bower.
I could taste the pulsing fountain welling.
Struggling below the creature fought for breath.
Cruelly, coldly, you stifled all its cries.
After rope, with rope you bound its beauty
Within your fear, and dared not heed its sighs.
Your mouth was hardened. The neck of the golden
Swan was fettered, barred in a whitewashed grille.
CORINNA:
I have the impression,
TRISTAN: slowly you said,
CORINNA:
That you are a stubborn man …… …… ……
TRISTAN:
I could have bathed in your cleansing fountain
To lift and purify my aching soul
But the gush did not come but silently
And left me wanting, needing to be whole.
Again you lead me in the labyrinth
Through a mirrored maze where I cannot reach,
Behind a barrier of glinting glass,
Your half-known beauty and its fleeting touch.
Do you remember I told you of my dream?
Bitter- honey moon where dark corridors
Led between a thousand rooms in oaken gloom
Unlit stairs ended in mocking mirrors.
In which room did you wait arched and spurting
Where the perfume dried?
Noli me tangere.
The corridors all end now in mirrors.
The mouth is shut.
Drops of moisture feel their careful way
Across the misted window of our world,
Mirror broken with a cracked and crazy web
Echoes the silence that we should have shared.
© K.F.Wait, May 2012, under Creative Commons Attribution-NonCommercial-Sharealike licence
Passions Run High
The Killing of Sister George
by Frank Marcus
Q2 Players at the Alexandra Room, St Luke’s, Kew until 24th June
Review by Mark Aspen
The BBC’s former euphemism, “women in sensible shoes” would be a hyper-simplification of the complex characters in The Killing of Sister George. Frank Marcus’s play, although not controversial as it was forty years ago, is no less powerful in the hands of as strong a cast as was seen in Q2 Players’ well studied production at the Alexandra Room.
An everyday tale of country folk: Sister George is a twee goody-goody, beloved by all … … the antithesis of June “George” Buckridge, the radio actress, Helen Smith’s warts-and-all portrait probed the psyche of this volcanic dominatrix, and of her violently passionate relationship with “Childie”, her live-in lesbian lover. Daisy Brydon played a gentle but gutsy, feminine but feisty Childie, trapped by her loyalty to George.
Read more…A Polished Pearl
Oh Kay!
by George Gershwin, lyrics by Ira Gershwin
BROS Theatre Company at the Hampton Hill Playhouse until 13th May
Review by Mark Aspen (from the Archive)
A seldom-seen pearl was revealed recently by BROS at The Hampton Hill Playhouse.
In 1926, in the middle of US prohibition, the Gershwin brothers decided to write a musical about bootleggers … … and to invite that archetypal English eccentric, PG Wodehouse to write the lyrics! The result was Oh, Kay!, a comic medley of marital misunderstandings.
The bootleggers wait in a beach mansion on New York’s Long Island for the booze run to put ashore.
Read more…Watch Where You Tread
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by Neil Simon
Teddington Theatre Club at Hampton Hill Playhouse until 5th February
Review by Mark Aspen
The honeymoon is over! And in Barefoot in the Park Teddington Theatre Club has dipped its toe once more into Neil Simon’s incisive and well-observed comedy writing
As the honeymoon’s sweetness begins to wane, Corrie wants its passion and excitement to last on. She is not put off by the six flights of stairs to their love nest under the cold (and broken) roof of a New York brownstone apartment. But for Paul Bratter, the staid young lawyer she has married, cold reality looms in the shape of tomorrow’s day in court.
Read more…Powered Flight
Peter Pan
By Piers Chater-Robinson, based on the novel by J. M. Barrie
The Edmundians, Cheray Hall, Whitton until 26th January
Review by Mark Aspen
In the words of Captain Hook, “Split me infinitives!” … treading the boards AND walking the plank!
Peter Pan has been tweaked, turned and twisted many times since its first performance just after Christmas 1904, but The Edmundian Players marked the play’s centenary with the Edwardian enchantment of Barrie’s original fairy story, enhanced by Chater-Robinson’s music.
Read more…Chequered History
Chess
by Benny Andersson and Bjorn Ulvaeus, lyrics by Tim Rice
BROS Theatre Company at Hampton Hill Playhouse until 20th November
Review by Mark Aspen
What is the most serious game in the world: an ancient board game, or is it… … politics, diplomacy, romance, with all their rivalries and intrigues? BROS examined this question in last week’s production of Tim Rice’s musical Chess.
Played out against a pulsating score by ABBA’s Benny Andersson and Bjorn Ulvaeus, Chess is an allegory on Cold War politics and passionate relationships. The story is based loosely on battles in the 1970s on and off the board of Bobby Fischer and Soviet Grandmasters such as Spassky, Kasparov and Korchnoi. Two Grandmasters, an American, Freddy Trumper, and a Russian, Anatoly Sergievsky are used as major pieces in their countries’ power politics and propaganda games. Florence Vassy, an Hungarian refugee, who at the outset is Freddy’s second, falls in love with Anatoly, who then defects to the West. The board is controlled by the manipulations of KGB and CIA officers within the rank and file of the national delegation, who even sacrifice Svetlana, Anatoly’s wife in a gambit to win him back to the Soviet side.
Read more…





