Bouquet of Roses
Opera Gala
Rose Opera at Normansfield Theatre, Teddington, 25th October
Review by Helen Astrid
Not having been to an opera this year since Fidelio at the Royal Opera House in March BC (before-Covid), it was a joy to attend Rose Opera’s Opera Gala at the Normansfield Theatre in Teddington. It was a very welcome evening indeed!
With appropriately stringent anti-Covid measures in place, the audience as well as the performers were socially-distanced giving us the assurance that health and safety were of paramount importance.
A programme of operatic arias, duets, trios and chorus ensemble (clad in sparkly-designer-esque face masks), we heard some familiar and some not so well-known pieces offering a carefully chosen selection. Bravi to all concerned .
The evening opened with an all-time favourite; Mozart’s tranquil trio from Così fan Tutte, ably sung by Helen Bailey (Fiordiligi), Anna Marie Mclachlan (Dorabella) and Crispin Lewis (Alfonso). We later heard Helen sing Mimi’s aria Donde lieta usci from Puccini’s La Bohème with clarity and stylistic verve. Ian Helm showed promise in the Russian repertoire singing Prince Yeletsky’s aria from Tchaikovsky’s Queen of Spades: most definitely a genre for him to explore.
It is hard to imagine Wagner as being jolly and uplifting’ but in the excerpt from Der fliegende Höllander,the Spinning Chorus, brought some welcome light-relief in this opera, which belongs to his middle romantic period. Tamara Ravenhill’s rendition of Senta’s Ballade was sung with warmth and beauty of tone, her voice soaring effortlessly. Credit must also go to Lorna Jan Perry who displayed some special vocal qualities throughout the evening.
The sextet from Mozart’s Così fan tutte was especially delightful with the two heroes, Guglielmo (Ian Helm) and Ferrando (Andy Evans), as the potential suitors, donning gold bomber-jackets, baseball caps and shades. Hilarious!
Read more…Poignant Human Values
Negotiating Caponata
by Carla Scarano D’Antonio
Review by Heather Moulson
Come with me to Scilly. This beautifully designed debut book of poetry, written by the prolific poet, Carla Scarano D’Antonio, is a very personal collection that presents us with real human values, voices and relationships.
Pajarita embraces us at the beginning of the book. The definition of a delicate yet empowered bird designed in folded paper that takes us gently on the poet’s journey.
Poignantly unravelling, and placed into three very significant sections, we are greeted by the book’s title … Negotiating Caponata.
Read more…Thirteen Frights and Chilling Delights
Phantasmagoria
13 Frights of Halloween, Audiotorium! TTC on-line from 31st October
Horror Stories for Hallowe’en, The Questors, The Judi Dench Playhouse, 31st October
Preview by Thomas Forsythe
The nights are turning colder, but what caused that shiver in the warm room? Was it the impending darkness? The sinister ambience of the fading facades of the old building? Or was it that you noticed the date at the end of October calendar?
Halloween always brings up conflicting thoughts. Do you eat the centre of the pumpkin; (recipes galore are available!) or do you carve it out and throw the middle away (a quid for a vegetable this big is a bit suspicious)? Is it another frightful transatlantic import; or am I just being a rotten spoilsport? And is silly superstition; or is it dallying dangerously with the occult?
Read more…The Clock Strikes Six
Opera in the Ether
A theatre thought by Mark Aspen
It is said that in opera if somebody is killed he does not bleed but instead sings six arias. “That few?”, one might be tempted to reply. And have you noticed that in opera when anyone is dying, whether struck by some fatal blow or of natural causes (usually consumption), nobody fetches a doctor or calls for an ambulance. They don’t even try to staunch the blood flow: they just sing.
Scorched Earth Quenched
Virtual First
Poetry Performance, On-Line, 4th October
Review by Mark Aspen
With the exigency of the scorched earth policy of containment, the Covid pandemic has ravaged the world of the arts. The theatre arts, drama, opera, music have fared worst; the visual arts, which need galleries to be open, has done slightly better. Nevertheless, there is one art form that is solitary in its creation and fireproof in lockdown. That is poetry. If proof is needed that poetry has thrived in 2020, then Virtual First stands witness to the fecundity of verse, which, like a rosebay willow herb on a bomb-site, has blossomed in lockdown.
However, the ethos of Poetry Performance is that poetry needs a listener, that the page needs a stage, that the spoken word is paramount. Its monthly readings at the Adelaide in Teddington had become the must-do for lovers of the liquidity of language. Restrictions since March though have forced the poets around Teddington back to their metaphorical (we trust) freezing garrets. Nevertheless, the garret windows have now been flung open once more with Poetry Performance’s inaugural on-line conversazione, an experimental toe-in-the-water presentation of two dozen poems.
Did it work? Yes it did! With a mixture of established work and new writing, the evening buzzed with enthusiasm. The poets own works ranged eclectically from ecology to ecdysiasts, exhibited with éclat.
Read more…Paris Tunes In
Claire Lees in Concert
★Opera Live At Home★, On-line, 29th September
Review by Kate Cleeland
An exciting first for Britain’s opera-hungry music lovers, a monthly interactive on-line programme presented by former opera singer Helen Astrid was launched at the end of September, the first of the series showcasing the talents of rising opera star Claire Lees with her accompanist Dylan Perez.
Online listeners were treated to six outstanding arias ranging from Purcell to Verdi all chosen to display Claire’s vocal and expressive range. Her voice was ravishing. Opening the concert with Semele’s gorgeous endless pleasure by Handel, the audience were thrilled with her beguiling intoxication, effortlessly rendered; it was nothing short of an endless pleasure to listen.
Read more…Unmasked Voices
Ignite Me
Ignite Me Workshop Theatre at The Theatre in the Park, Marble Hill, 27th September
Review by Celia Bard
Notwithstanding the greyness of the afternoon with the first signs of leaves turning golden brown, the Ignite Me Theatre enthusiastically presented its latest workshop against the backdrop of Marble Hill House, sadly neglected since the 1980s. All that is now about to change for with the help of part of a £4 million grant from the Heritage and Community Fund, restoration is now underway. Marble Hill is on its way to being revived, its story brought to life and investment in its long term future secured.
The House, an elegant Palladian villa and gardens, was constructed by Henrietta Howard, Countess of Suffolk (1689-1767), perhaps best known as the mistress to the Prince of Wales, later George II. The Countess was, however, much more than a mistress. She was right at the centre of a dynamic circle of writers, poets and politicians amongst whom included Horace Walpole, Jonathan Swift and Alexander Pope, a close neighbour residing at Pope’s Villa in Strawberry Hill. It was Pope who designed the Villa gardens for the Countess. Against this backdrop of the now scaffold-bedecked house, socially distanced groups gathered, with their deckchairs, under the grey skies with a distinct autumnal chill in the air, to watch a group of dedicated actors of the Ignite Me Theatre present their drama.
Read more…Roller Coaster Romance
Sleepless, A Musical Romance
by Michael Burdette, Music and Lyrics by Robert Scott and Brendan Cull
WPT at Troubadour Theatre, Wembley Park, until 27th September
Review by Stephen Leslie
It was with sense of curiosity and some trepidation that I set out on my first trip back to the theatre since everything closed in March (including my own show Annie Jr, which as producer I had nurtured right through to the dress rehearsal).
I had the pleasure of being part of the socially-distanced audience for Sleepless, A Musical Romance, a new musical which was playing the Troubadour Theatre in Wembley Park, a shiny new venue I’d not previously visited. It had in fact not been open many months before lockdown hit. The Troubadour Theatre, with its up to 2,000-seat auditorium as well as bars and restaurant was built on the site of the former Fountain Studios television complex, which had live broadcast many well-known TV shows, such as Who Wants to be a Millionaire, and more recently, The X Factor and Britain’s Got Talent.
Sleepless, new show based on the 1993 movie, Sleepless in Seattle starring Tom Hanks and Meg Ryan, had been due to open in March, almost at the same time as our own Dramacube production of Annie Jr. but was put on hold when the UK went into lockdown.
Read more…Summer’s Apples
Roxy Dots
West Green Opera at West Green House, Hartley Wintney, 20th September
Review by Mark Aspen
John Keats wrote his famous Ode to Autumn on 19th September 1819. He could have been writing about the scene in Hartley Wintney 201 years and a day later, when the “maturing sun” of a gorgeous late summer day conspired with early autumn “to bend with apples the moss’d cottage-trees” in West Green’s beautiful gardens.
How appropriate then that our noontime treat by the Roxy Dots included the 1942 wartime hit Don’t Sit Under the Apple Tree (With Anyone Else but Me) and the beautiful mood piece I’ll Be With You in Apple Blossom Time.
Although this gig started with Roll out the Barrel, we certainly were not in a pub, but in the more gentile surroundings of the grounds of West Green House, home in the Green Theatre, where for two decades West Green House Opera has been presenting fully staged summer operas. The house has had quite an exciting history. Having been built by the controversial Georgian military commander General Henry Hawley, it has been home to a number of prominent people, including as the dower house of the Duchess of Wellington. As the home of Lord Alistair McAlpine, a well-known advisor to Margaret Thatcher, it attracted the attention of the IRA, who bombed it in 1990, destroying the front façade and much of the neo-classical garden statuary that Lord McAlpine had commissioned from architect Sir Quinlan Terry.
Read more…Tranquillity Sought
SEND In the Clowns
by Suzy Rigg
Review by Heather Moulson
With its Silver Birch Glade, Fisher’s Pond, King’s River Garden and Willow Plantation, the woodland walk created in 1925 from two Georgian plantations, now much loved as the Waterhouse Woodland Garden, forms a tranquil retreat. Could then then be a better place to discover a new work focussing on those for whom tranquillity is a luxury, rarely achieved.
Within the garden is the Pheasantry, highly popular as a meeting place for those with young children, so it was very pertinent that this was the venue chosen introduce a book by the prolific writer and poet Suzy Rigg on the subject of autism.
Read more…
Mark Aspen 